ANNE-MARIE, Published by Steidl. Publication date: 2025
The images in Anne-Marie involve not just one camera, one face and body, one pair of eyes, but two consciousness merged to make something that didn’t exist before, and that only existed at that one moment in time.
Francine Prose from her introduction
When you are in love with someone, their life, past, present and future, becomes in a curious way part of your life; and yet, at the same time, since two separate human entities in fact remain, you merely carry your own prejudices into another person’s imagined existence; not even into their ‘real’ existence, because only they themselves can estimate what their ‘real’ existence has been.
Anthony Powell, The Acceptance World
I can still remember that moment when I first saw her. July 1985. Blind date. We met in front of Cooper Union. She had a red bandana in her hair. I was shocked at how beautiful and cool she was. We spent the day together in a blur. She was funny and smart and sexy and seemed to like me. 10 hours later we were planning our next date.
Jeremiah Dine, October 2024
Anne-Marie by Jeremiah Dine is a document of Dine’s relationship with his wife over 40 years. It contains their shared passion for each other, the world around them, and their vision as fellow artists. What happens to two people who live a life together? What happens when you really look at a person you love for 40 years? It is a portrait and a self-portrait simultaneously, an examination of the duality of a long term relationship, and what it means to photograph someone else to understand yourself.
Photographed using a combination of 35mm and 120mm film, black and white and color, digital, Polaroid, iPhone, disposable camera, manipulated and “straight” techniques. Designed by Yolanda Cuomo, edited by Yolanda Cuomo and Jeremiah Dine, with an essay by Francine Prose.