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    <lastmod>2026-02-01</lastmod>
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      <image:title>Generation Jones - Generation Jones: A Yearbook</image:title>
      <image:caption>These photographs were taken between 1971 and 1979. They include family, friends, schoolmates, girlfriends, enemies, nerds, jocks, hippies, stoners, punks, proto-punks, weirdos, people who are no longer with us, people I don't remember, people I loved, people I still love. Everybody was young and beautiful, and as members of the yet unnamed Generation Jones*, we had an innate pessimism based on our experiences growing in in the Sixties, with its social upheaval, political unrest and general air of cynicism. We were carefree, ignored by our parents  and blissfully androgynous.  He's in love with rock'n'roll, whoa He's in love with gettin' stoned, whoa He's in love with Janie Jones, whoa He don't like his boring job, no -Janie Jones, The Clash, 1977 *Generation Jones is the generation or social cohort between the baby boomers and Generation X. The term was coined in 1999 by American cultural commentator Jonathan Pontell, who has argued that the term refers to a full distinct generation born from 1954 to 1965. Williams, Jeffrey J. (March 31, 2014). "Not My Generation". The Chronicle of Higher Education.</image:caption>
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      <image:title>Generation Jones - Generation Jones: A Yearbook</image:title>
      <image:caption>These photographs were taken between 1971 and 1979. They include family, friends, schoolmates, girlfriends, enemies, nerds, jocks, hippies, stoners, punks, proto-punks, weirdos, people who are no longer with us, people I don't remember, people I loved, people I still love. Everybody was young and beautiful, and as members of the yet unnamed Generation Jones*, we had an innate pessimism based on our experiences growing in in the Sixties, with its social upheaval, political unrest and general air of cynicism. We were carefree, ignored by our parents  and blissfully androgynous.  He's in love with rock'n'roll, whoa He's in love with gettin' stoned, whoa He's in love with Janie Jones, whoa He don't like his boring job, no -Janie Jones, The Clash, 1977 *Generation Jones is the generation or social cohort between the baby boomers and Generation X. The term was coined in 1999 by American cultural commentator Jonathan Pontell, who has argued that the term refers to a full distinct generation born from 1954 to 1965. Williams, Jeffrey J. (March 31, 2014). "Not My Generation". The Chronicle of Higher Education.</image:caption>
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  <url>
    <loc>https://www.jeremiahdine.com/about</loc>
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    <lastmod>2026-03-20</lastmod>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.jeremiahdine.com/contact</loc>
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    <lastmod>2025-10-28</lastmod>
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      <image:title>Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.jeremiahdine.com/new-page</loc>
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    <lastmod>2022-03-15</lastmod>
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      <image:title>Daydreams Walking</image:title>
      <image:caption>Daydreams Walking. Hardcover, 232 pages. Edited and designed by Yolanda Cuomo Design. Essay by Robert Sullivan. Published by Damiani Spring 2020. Available through Bookshop.org</image:caption>
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  <url>
    <loc>https://www.jeremiahdine.com/now-is-tomorrow</loc>
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    <lastmod>2025-09-28</lastmod>
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      <image:title>Now Is Tomorrow V. 1,2,3, 2022 - Make it stand out</image:title>
      <image:caption>“Now is Tomorrow comprises seven days worth of photographs, with each day represented by ten images shot in different years. it's a kind of after-the-fact exercise in playful pattern recognition, freed of the imperative to impose a narrative order. More photographers should do this.” – C4 Journal The symbols of the divine initially show up at the trash stratum. — Philip K. Dick Now Is Tomorrow started as a response to the COVID-19 pandemic. Stuck in lockdown, Jeremiah Dine began posting daily selections of the tens of thousands of photos in his archive, taken over the previous decade. As the months progressed, Dine refined his approach, using the parameters of the current calendar day as a construct. Eventually, uncanny narrative themes emerged from the random nature of this process. Shot on digital and film cameras, as well as his phone, the images reflect Dine’s ongoing obsession with the “trash stratum,” as well as his daily observations of the mundane and beautiful, themes Dine has been exploring since his teens. Each volume contains a week’s worth of images – 10 images per day – organized in chronological order. At turns hilarious, playful and poignant, Now is Tomorrow shares Dine’s pure engagement with photography: a daily practice that has evolved over a lifetime. Paperback. 8.75 x 7.75 inches. 88 pages. 70 photographs. First edition of 400 copies, of which 200 are for sale. Printed at The Studley Press, Dalton, Massachusetts.</image:caption>
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      <image:title>Now Is Tomorrow V. 1,2,3, 2022</image:title>
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      <image:title>Now Is Tomorrow V. 1,2,3, 2022</image:title>
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      <image:title>Now Is Tomorrow V. 1,2,3, 2022</image:title>
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      <image:title>Now Is Tomorrow V. 1,2,3, 2022</image:title>
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      <image:title>Now Is Tomorrow V. 1,2,3, 2022</image:title>
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      <image:title>Now Is Tomorrow V. 1,2,3, 2022</image:title>
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    <loc>https://www.jeremiahdine.com/new-page-2</loc>
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    <lastmod>2025-05-18</lastmod>
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      <image:title>Natural Selection, 1983</image:title>
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      <image:title>Natural Selection, 1983</image:title>
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      <image:title>Natural Selection, 1983</image:title>
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      <image:title>Natural Selection, 1983</image:title>
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    <loc>https://www.jeremiahdine.com/anne-marie</loc>
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    <lastmod>2026-03-20</lastmod>
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      <image:title>Anne-Marie - Make it stand out</image:title>
      <image:caption>Self-Portrait, 1989 UPDATE: AVAILABLE NOW ON STEIDL WEBSITE ANNE-MARIE, Published by Steidl. Publication date: March 2026 Jeremiah Dine’s Anne-Marie is a visual document of Dine’s relationship with his wife over 40 years. It explores their shared passion for one another, for the world around them, and their distinct visions as fellow artists. What happens to two people who shape their life together over the course of four decades? How does one’s view of a loved one change and deepen over so long a time? “The images in Anne-Marie involve not just one camera, one face and body, one pair of eyes,” writes Francine Prose in her introduction, “but two consciousness merged to make something that didn’t exist before, and that only existed at that one moment in time.” Created using a combination of 35mm and 120mm film, black-and-white and color, digital, Polaroid, iPhone, disposable camera, manipulated and traditional techniques, this book is a kaleidoscopic, compelling statement on how photographing someone is a means to understand yourself. It is both a portrait and a self-portrait of the duality of a long-term relationship. When I came to live with a photographer I agreed to trust his eye, and consciously chose to say yes to being his subject. This is a choice I have made repeatedly through the many years we have been together. An open and uncritical yes to the mystery of the creative process. -Anne-Marie McIntyre When you are in love with someone, their life, past, present and future, becomes in a curious way part of your life; and yet, at the same time, since two separate human entities in fact remain, you merely carry your own prejudices into another person’s imagined existence; not even into their ‘real’ existence, because only they themselves can estimate what their ‘real’ existence has been. -Anthony Powell, The Acceptance World I can still remember that moment when I first saw her. July 1985. Blind date. We met in front of Cooper Union. She had a red bandana in her hair. I was shocked at how beautiful and cool she was. We spent the day together in a blur. She was funny and smart and sexy and seemed to like me. 10 hours later we were planning our next date.  -Jeremiah Dine Edited by Yolanda Cuomo and Jeremiah Dine Text by Francine Prose Artwork by Anne-Marie McIntyre Book design by Yolanda Cuomo 132 pages plus 2 gatefolds Dimensions: 9.3 × 12.5 in. / 23.5 × 31.7 cm Content: 92 black-and-white and 76 color photographs Printing: Four-color process Binding: Hardcover Slideshow images: Self-Portrait in a Convex Mirror, 2021 Crepuscule with Ree-Ree, 2013 Poptones, 2005 The Narcissist, 1991 In the American West, 1987 Devil’s Punchbowl, 2005</image:caption>
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      <image:title>Anne-Marie</image:title>
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      <image:title>Anne-Marie</image:title>
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      <image:title>Anne-Marie</image:title>
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      <image:title>Anne-Marie</image:title>
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